Tango Moderno


Edinburgh Playhouse
23-25 November 2017

It was a crisp Winter’s evening as I whisked through the city to be on time for my rendezvous with the very beautiful Minky. My companion and Strictly Come Dancing fan of the night. Luckily Minky was running late too, which gave me plenty of time to collect the tickets before her sparkling arrival. Divine never likes to keep a lady waiting. I had received prior knowledge that Vincent Simone wouldn’t be dancing due to a crook back, injured in rehearsal for tonight’s production. But in his place not one, but two very sensual gentlemen – Pasquale La Rocca and Leonel Di Cocco-  brought their own erotic flavour to the tango, filled Vincent’s shoes extremely well, and Flavia was in her element.  Of the situation, Adam Speigel, producer of Tango Moderno  told the Mumble; ‘Both dancers are sensational, world class performers, having represented their countries in ballroom and tango respectively. They have been working with Flavia and the company to ensure that Tango Moderno remains a terrific dance show.‘ Adam was right, they were brilliant, & they were supported by a cast of amazingly versatile dancers and a live band providing the groove, with lead vocals expertly sung by Tom Parsons and Rebecca Liswski.

Tango Moderno is a contemporary take on Tango, infused with Hip-Hop and Breakdancing. Street arts that had their beginnings in rebellion and passion, choreographed and directed by Karen Bruce. The whole production oozed sex and was packed with eye-candy. From the moment the lights went down the audience were on the edge of their seats, captivated by the athletic flow of the stars of the show and any disappointment from the audience that Strictly’s Vincent was absent dissipated in an instant. The stage set was a street scene complimented by lighting that was equally as sensual as the moves presented. Indeed, Flavia Cacace was mesmerizing. The closing dance was led on violin by Oliver Lewis, who happened to be the Guinness Book Of Records fastest violinist in the world, smashing the previous record on the BBC’s Blue Peter in 2010. This was a show that left everyone wondering why they had missed their calling to be a professional dancer. The standing ovation at the climax and the musky odour was a testament to how hot this show had been.

Reviewer : Mark ‘Divine’ Calvert

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