When Flamenco touches your soul, all you can do is dance…
Hello Aylin, first things first, where are you from & where are you at, geographically speaking?
I consider myself a global citizen, I have Finnish and Turkish in me. I have lived in Finland, Australia, in the UK, was schooled in France and have been living in Spain for the last 16 years. I am located in the centre of Madrid, downtown, in La Latina.
When did you first realise you could dance?
I started with ballet and contemporary at 4, but I really got hooked when a friend told me about a Flamenco class in Seville. I had no knowledge of Flamenco whatsoever, and the level was too high for me, but somehow I felt I was getting it. That this is a language in which I could express myself and be understood.
How did you get into Flamenco?
My flatmate at university took me to a Flamenco concert at the Komedia in Brighton. From that moment I was enamoured. Although my approach, attitude and personality have changed, I am still on that path.
What is it about being performing in front of other people that makes you tick?
Before finding Flamenco I dreaded performing in public, but there is something honest, universal and captivating about Flamenco that gives me power and energy to dance in front of a public. Beautiful movement is also something that elevates me and I enjoy a lot watching ballet.
Can you tell us about your training with the Flamenco masters?
I started my training in Andalusia, continued in Madrid where most of the professional Flamenco dancers have been training for decades, and completed my Masters at the Institute of the Arts Barcelona/Liverpool John Moores University, that offers a dance education with both UK and US influence. At the IAB I got to explore my creative practice got to explore my creative practice more in depth and got used to think through my dancing and dance my way out of troubles. Generally speaking I struggled finding a teacher that would guide me in a foreign land and culture and help me grow as a person, not just a dancer. However, I have taken classes with some excellent professionals and learnt from talented dancers. In Flamenco you also learn from musicians, and from having to perform with very little or no previous rehearsals with the group. When I traveled to Cuba and was invited to ballet events I learnt a lot about dance discipline and guts.
What does your perfect Sunday afternoon look like?
I often work on Sundays as well, but I enjoy winding down by listening to jazz and relaxing by the pool whenever possible.
You were in Edinburgh last year, with the Dance-forms 75th International Choreograper’s showcase, how did it go?
It was a very special experience participating in Susana B. Williams´showcase. I was lucky to get an excellent review from TheWeereview and get to work with some great professionals in the dance field. I am participating this year as well.
You’re performing at this year’s Edinburgh Fringe; what are you bringing to the table?
We try to create a moment on stage that is pure and elegant. You will see shapes, energy, forms and also feel the power and poetry of dance expression. You will also discover Raul´s musical universe that is very profound.
Where, when & how did the idea for VIVIR originate, & is the reality fulfilling your vision?
Originally it was a need for me to simplify, try to do a Flamenco performance with minimum elements. This show has been developing in the studios of Madrid, also inspired by the Mediterranean landscape, during the last 5 years. Singing, that is a central element of Flamenco, helps the dancer to grow on stage, and gives dramatic power to a performance – is not present in this show. Filling that void has been a challenge, but satisfying both personally and professionally.
You premiered VIVIR in Australia earlier this year, have you tweaked the show since?
After returning from Australia, I have taken ENSUEÑO FLAMENCO, another show in our repertoire, on tour to Finland, an ensemble featuring some of the top artists of the Madrid Flamenco scene. I have also given workshops in Ukraine, and been busy with pre-production. We performed excerpts of both shows at the Madrid Conservatory, and I´m taking VIVIR to Avignon for the month of July.
Can you tell us more about the non-traditional musical styles instruments Raul Mannola will be utilising?
In this show Raul plays the traditional nylon-string flamenco guitar, as well as steel-string acoustic guitar to provide a wider variety of sounds. He also uses the electronic tampura to get the Indian drone for some oriental flavoured improvisations. Come and get a taste!
What are your dreams or plans for the future?
I would love to work with a choreographer. Although ballet specialists might not like this, I want to include a number with pointe shoes in my repertoire, to give voice to the more fragile and lyrical side of me as a dancer.
You’ve got 20 seconds to sell the show to somebody in the street, what would you say?
I would dance a “llamada” or a “pataíta”. If you are not sure what it means, come and find out!
C venues – C Aquila
Aug 10-18 (18:25)